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Laura
Beamer: by Loretta Fontaine, reprinted with permission from The Crafts Report
Drape one of her signature bracelets of candy-colored bottle caps around your wrist and she’ll regale you with stories of how she collects her recycled treasures. A red dragon cap? Beamer and her husband Benjamin order “Singha” beer when they eat out at Thai restaurants. The trick, she recalls with a chuckle, is to convince the waiter to bring out the normally discarded dragon cap with the bottle of beer. A few hand gestures to the befuddled waiter will usually get the point across, and then the entire staff will be fishing through trash cans to retrieve more bottle caps for her collection!
Beamer feels
fortunate to be able to make a living in Oakridge, an area in the Oregon
Cascade mountains that is climbing out of an economic depression. “Oakridge
is a small timber town that never recovered from the timber cut backs
in the 80’s and early 90’s,” Beamer says. “When
I moved here in 1988 the town was in a total down spiral - it was dying!”
Today, mountain bikers are moving into Oakridge for it’s outdoor
recreation, and the town is slowly reviving. But Beamer doesn’t
rely on the local economy for her sales. With an airport
less than one hour away, she and her husband fly across the country to
approximately one dozen retail and two wholesale shows a year. Tapping
into a national marketplace allows her to live in what she considers nirvana.
Surrounded by the Willamette National Forest, hiking, camping and skiing
are right outside her doorstep. “If it’s sunny or snowing
we get up early to work so we can spend the rest of the day outdoors!,”
Beamer exclaims. “Our valley is surrounded by breathtaking mountains!
It’s so peaceful here - we’re a one stoplight town.”
Beamer works
in a former Jehovah’s Witness Kingdom Hall she and her husband purchased
in 1993. Beamer shuddered when she first saw the structure, but her husband
saw potential. What was formerly an open 1,400 square foot hall with 100
theater seats and two restrooms is now a colorful home filled with art
and surrounded by towering Douglas fir trees framing a sublime mountain
view. Beamer’s studio holds an industrial machinist tool for forming
her jewelry, and drawers and drawers of bottle caps mounted to the walls.
A small television with VCR perches on a stool in the corner of the studio,
essential because Beamer prefers to watch movies as she works. “I
like the chick flicks and comedies best,” she laughs, “I am
trying to get work done and the dramas have me watching the screen too
much!”
A recent
challenge to Beamer’s business came in November 2004 in the form
of a letter from the lawyers of a major soda brand. It asked her to cease
and desist using their bottle caps in her jewelry due to trademark infringement.
“It was a really scary letter,” she says,” They’re
such a gigantic corporation and it’s just Ben and me! I probably
won’t drink another soda in a red and white bottle again, that company
has put me under too much stress!” Beamer is working with the The
Oregon Arts Commission for legal advice to come to an agreement. As she
sees it, using post-consumer waste as an artist is a protected form of
free speech. Besides, Beamer is working to develop her next great idea.
“I’m always looking ahead to the next ‘new’ thing,”
she laughs, “maybe a kinetic line of jewelry that doesn’t
include bottle caps!” Loretta
Fontaine, a jeweler who is on the of the faculty of the Arts Business
Institute, writes on the arts from her Albany, New York studio. FOR
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